Paper # 1- Prince of Pop


            Andy Warhol was born in 1928 in Pittsburgh. He came from a poor Czech immigrant family. He grew up during the great depression and had been greatly influenced by that time in his life. Those memories of poverty stayed with him all of his life.  He was very close to his mother who was a real believer in him and nurtured his love for the arts since he was young boy.  She lived with him until she became senile and Andy could no longer keep track of her. She then moved back to Pittsburgh to be with her other sons who could take care of her.
 Known as one of the most recognizable and influential artist of Pop Art, Andy changed the art world from abstract expressionist to recognizable art. He saw art in the everyday things.  In the 1950’s Warhol came to New York City and started his career in commercial art. He eventually transformed himself into one of New York’s most influential commercial artist (Koestenbaum, 33).  He met Muriel Latow an art consultant at a party and pays $50.00 for her advice of  “ you should paint something that everybody sees everyday …like cans of soup” (Greenberg & Jordan, 45).  Using her advice he began to paint things he had memories of from his childhood. Famous people: Warren Beatty, Elvis Presley, Natalie Wood.  Most famously known was the Campbell Soup collection. Which he sold for $1000.00 dollars. Then in 1999 sold them to the MOMA for $7 Million dollars (Greenberg & Jordan, 47). He developed a new technique called silk-screening in order to produce a mass amount of his art. Having someone else do his art work so that he can bring in more business. He believed not knowing who reproduced his art that was the fun of it. He wanted to be machine like.
His apartment on 231 East 47th street became known as “ The Factory” a hip hang out for celebrities, Artists, Socialites, free thinkers, drag queens like: Dali, Truman Capote, Paul Morrissey, Mick Jagger would all hang out at Warhol’s apartment. It was dubbed the factory because there is where you would find workers making art, like it was a factory. He held parties, film screenings.  It was known as the place to be. “It became a glamorous hangout where everyone was trying to attract Andy’s
attention”…Geldzahler. Then eventually moving The Factory to 33 Union Square.

He began film making after watching a movie that he said was boring he believed he could do better. He started filming friends and lovers doing everyday things.

Andy believed in keeping busy, trying to always seek new opportunities. He managed a band he went to hear play called the The Velvet Underground.  A psychedelic punk band before it’s time. He called their act” fabulous and demented” (Warhol, 1966) and made them a staple at The Factory.  They traveled with Warhol’s multimedia show “ The Exploding Plastic Inevitable”  (Brockis,1989).

In 1968 Andy was shot and injured by Valerie Solanas. She was the sole member of SCUM (Society for Cutting Up Men). She claimed he had too much control over her life. He was brought to the hospital and pronounced dead. His friend Mario was not as badly injured shouted to the doctors “do something he is rich and famous”.  They ripped open his shirt and performed surgery. After this incident,  “The Factory” began to change and become more office like.  

Andy had no longer been a shock to art lovers in America and began to travel overseas where he was adored. One of his last creations was taken from the masterpiece The Last Supper by Leonardo Da Vinci which he recreated using silk-screen. During his travels he grew sick and experienced pain in his stomach. Never the one to go to doctors, he was more interested in other healing pathways. He was persuaded by his friends to have surgery and checked himself into New York Hospital saying “ I am not going to make it” “ I am not going to come out of this hospital.” Andy Warhol died February 22, after complications related to surgery.
            Andy Warhol was definitely ahead of his era. I am not sure if he was around today if he would have been so dramatic.  He was the driving force for Pop art scene.

References:


Jordan, S. & Greenberg, J. (2007) Andy Warhol. Prince of Pop (1st Ed.). Laurel-Leaf:        

New York.
Bockris, V. (1989). The life and death of andy warhol. New York: Bantam Books.


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